“Chicks with Bricks: Building Creative Identities Across Industrial Design Cultures and Gendered Construction Play.”, 2014.
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Feedback, questions or accessibility issues: firstname.lastname@example.org. David has 8 jobs listed on their profile. 608-262-8788.
In my previous book, I examined “media franchising”, where licensing, spin-offs, and global formatting practices create uneasy creative relations and negotiations of unequal power among producers from multiple spaces and historical contexts of production. “How Comic Books Travel: Brick-and-Mortar Stores, Digital Networks, and Global Flows.”, 2014. “From the Ruins: Neomasculinity, Media Franchising, and Struggles Over Industrial Reproduction of Culture.”, 2017. My research examines the media industries, looking specifically at how production operates as a site of cultural and creative struggle, particularly as the stakes of those struggles relate to the idea of the future and the reproduction of content, markets, and authority over time. Toured North America, Europe, Singapore, Japan, Turkey, and Brazil with Gloria Gaynor. My newest completed long-term project considers the “transgenerational” strategies whereby media industries encourage producers and consumers to move across the boundaries of childhood and adulthood, constructing idealized professional and amateur subjects that can help mature industries to negotiate changing markets, technologies, and consumer practices. “Battleworlds: The Management of Multiplicity in the Media Industries.”, 2017. Principal Investigator: James Topitzes.
“Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence.”, 2011. “CBS All Access: To Boldly Franchise Where No One Has Subscribed Before.”, 2018. “Going Backstage: Network Heritage, Industrial Identities, and Reiterated Mediation of Saturday Night Live’s Work Worlds.”, 2013. Ph.D. University of Wisconsin-Madison, 2009, M.A. Co-Investigators: Joshua Mersky and David …
Awarded from the Wisconsin Partnership Program, Community Impact Grant, University of Wisconsin-Madison, School of Medicine and Public Health to Community Advocates. “Franchise Histories: Marvel, X-Men, and the Negotiated Process of Expansion.”, 2008. “Fantagonism, Franchising, and Industry Management of Fan Privilege.”, 2018. This site was built using the UW Theme | Privacy Notice | © 2020 Board of Regents of the University of Wisconsin System. : Marvel’s Mutation from Monthlies to Movies.”, 2007. John Bardeen, B.S. “A Knight of the Realm vs. the Master of Magnetism: Sexuality, Stardom, and Character Branding.”, 2007. “Participation is Magic: Collaboration, Authorial Legitimacy, and the Author Function”.”, 2009. “A&E: From Art to Vice in the Managed Channel Portfolio (co-author with David Craig).”, 2017. “Introduction – Discourses, Dispositions, Tactics: Reconceiving Management in Critical Media Industry Studies (with Derek Kompare and Avi Santo).”, 2014. “”May the Force be with Katie”: Pink Media Franchising and the Post-Feminist Politics of HerUniverse.”, 2014. 1929, only two-time recipient of the Nobel Prize in Physics in 1956 and 1972; Saul Bellow, recipient of the Nobel Prize for Literature in 1976; Günter Blobel, Ph.D. 1967, recipient of the Nobel Prize in Physiology or Medicine in 1999; Paul D. Boyer, M.S. Derek Johnson Media and Cultural Studies Professor.
(composer, arranger, keyboards and drum programming) on Shanachie Records release, Recorded a gold record with Japanese pop group. “Spin-offs, Crossovers, and World-building ‘Energies’.”, 2018. “Devaluing and Revaluing Seriality: The Gendered Discourses of Media Franchising.”, 2009. “Introduction – Pop: Television Guides and Recommendations in a Changing Channel Landscape.”, 2018. “Introduction: The Problem of Media Authorship (with Jonathan Gray).”, 2013. I spent my early adult life as a professional musician in New York City, playing countless gigs and recordings with a wide range of musical artists. My current research returns to these topics in order to explore how this form of cultural reproduction supports a future-oriented politics of industrial intervention and social justice activism. https://forestandwildlifeecology.wisc.edu/people/faculty-and-staff/craig-johnston
“The Fictional Institutions of Lost: World Building, Reality, and the Economic Possibilities of Narrative Divergence.”, 2007. Total project award: $1 million.
Economics 101 Lecturer: Elizabeth Sawyer Kelly Office: 7416 Social Science Office Phone: 608-262-8829 Office Hours : Before and after class and by appointment . 1928 and M.S. Studied music briefly at UW-Madison with jazz bassist Richard Davis, followed by a stint at Berklee College of Music. University of Southern California, 2001, H.I. “‘Share Your Universe’: Generation, Gender, and the Future of Marvel Publishing.”, 2015. email@example.com. I have also worked to situate the identity work of media industries, entrepreneurs, and brands in relation to post-feminist and post-racial ideologies. “The Reluctant Retailer: Amazon Studios and the Non-Merchandising of Children’s Television.”, 2018. University of Wisconsin-Madison, 2006, B.A. View David Johnson’s profile on LinkedIn, the world's largest professional community. I embrace “critical media industry studies” and “production culture” approaches that understands industry not just in economic terms, but also through the agency, identities, meanings, values, and communities that emerge in and around media work. E-mail: firstname.lastname@example.org Toured and recorded with jazz fusion band Special EFX (composer, arranger, keyboards and drum programming) on JVC Records release, Request a letter of recommendation from Prof. Johnson. Member of original band Choosy Mothers; local residencies at NYC clubs such as the Wetlands, Mondo Cane, toured clubs and colleges in North America. “Figuring Identity: Media Licensing and the Racialization of LEGO Bodies.”, 2012. I spent my early adult life as a professional musician in New York City, playing countless gigs and recordings with a wide range of musical artists Select Music Biography Studied music briefly at UW-Madison with jazz bassist Richard Davis, followed by a stint at Berklee College of Music. “StarCraft Fan Craft: Game Mods, Ownership and Totally Incomplete Conversions.”, 2008. “Authorship Up for Grabs: Decentralized Labor, Licensing, and the Management of Collaborative Creativity.”, 2013. “Fan-tagonism: Factions, Institutions, and Constitutive Hegemonies of Fandom.”, CA 540 – Television Genres (Science Fiction), CA 540 – Television Genres (Superhero TV and Cultural Power), CA 613 – Franchising in the Media Industries. “Will the Real Wolverine Please Stand Up? Composing, arranging, keyboard and drum programming for all-star jazz band, Toured and recorded (drums) with saxophonist Mark Johnson, Toured (on drums) and recorded with percussionist George Jinda. Several European and Japanese tours, dates across North America and South America, and numerous TV shows with Bo Diddley, Toured Argentina with pianist Johnnie Johnson, Worked with local blues guitarists/vocalists Bill Sims, Popa Chubby, Grant Green Jr., Frankie Paris & Cold Sweat (1998 recording, Recorded numerous commercial jingles, industrials and TV spots, Michael McDermott, North American Tour (SBK Records), Featured drummer on best-selling sample CD. “Activating Activism: Facebook Trending Topics, Media Franchises, and Industry Disruption.”, 2014. This work frequently looks across television, contemporary film, digital games, comics, and merchandising (with particular attention recently to the retail contexts in which these media circulate).
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